Throughout history, art has reflected the time in which it was created, whether it serves as a mirror for the present, a reminder of days long gone, or a glimpse into the future. Those who appreciate art often look to it for guidance, or inspiration. Hamilton gives a gritty edge to what has often been a whitewashed history lesson. Camelot presents a magical, idealistic take on the rules of governance. If ever there was a time to have both shows running on Broadway, I think now is that time.
The Edinburgh Festival Fringe is the world’s largest arts festival, with over 50,000 performances of 3,279 shows in nearly 300 venues across the city in 2016. It is held in August every year, and it is really never too early to start planning for the Fringe! There are so many things to consider: What type of venue is best for your show? City center or out of the main action? How do you promote it? How do you compete with the thousands of other shows appearing at the Fringe? Honestly, the top tip really is to ENJOY the Edinburgh Festival Fringe! The diversity, quality, and eccentricity on display is amazing. There really is nothing like it!
Children’s Theatre gets a bad rap. Some think it’s a fluff genre, with no substance. It’s as if a play for children doesn’t merit the same artistic credibility as a play for adults. Glitter, polka dots, and silly songs, can’t compare to Brecht, Stoppard, and Mamet. But these misconceptions couldn’t be further from the truth. Theatre for Young Audiences (TYA) is making waves, breaking molds, and giving artists endless creative opportunities fostering the future of theatre.
To know your type as an actor is to understand your strengths and how others perceive them. To embrace your type is using this knowledge to power your career choices. Understanding your type is allowing yourself to be the best piece to fit in the overall puzzle. This sense of clarity and self-awareness is essential. However, we are not limited to one type over the course of our careers. There’s plenty of room for growth and discovery.
Clothing is the most intimate and relatable design element in theater. Everyone wears clothing, and everyone has opinions about clothing. Often what we wear says more than any words or actions do: who we are, where we’re from, what year it is, how much money we have, how much money we want other to think we have. These are just a few stories clothing tells in real life and onstage, making the relationship between the actor and the costume designer one of the most important. As you share your discoveries of your character, the costumer can share theirs and you can build a strong character together if you follow five simple steps.