In this final installment of our blog series, Playwright Chronicles, we discussed the ultimate big step for the emerging playwright: how do you transition your plays from the page to the stage? We were interested to find out how involved the playwrights were in this process, from finding and/or working with a theater company, to … Continue reading Playwright Chronicles: From Page to Stage→
Introducing the StageAgent summer interns! StageAgent interns spend four months with us and gain training and insight into the inner-workings of running a major web publishing property. They also get the opportunity to develop their writing portfolio by creating new show guides, improving upon existing guides, and contributing to the StageAgent blog. Recently, two fabulous interns began their summer term working with StageAgent, and we’d like to introduce them to you.
Professional stage actor, Rob Richardson, literally saw himself in a role in the musical “The Bridges of Madison County”. In this post, Rob discusses his 5 year journey preparing for the show, auditioning and eventually landing the leading role of Robert Kincaid with the Silicon Valley theatre company, TheatreWorks.
Actors want to be wanted, whether it’s for a role in a play or musical, film, or TV show. But sometimes we want to get that role so badly that we forget to use some common sense and may get ourselves into an iffy situation. Here are five things to watch out for so the only thing you have to worry about is if you get the gig!
Whether it’s as simple as lighting an actor’s face for visibility, or a special effect for musicals like Sweeney Todd, a lighting designer’s job is all about problem solving. As a full-time freelance designer, Kevin spends at least one, but usually two or three weeks a month in tech rehearsals in theaters throughout California. “It is a hard but absolutely wonderful life. If you’re like I was in high school and have any inkling to do theatre, do it.” Read our latest interview on StageAgent.