We have all heard of William Shakespeare. His plays are regularly performed across the globe, and they frequently feature as prominent texts on school/college syllabuses. Yet getting to grips with Shakespeare’s works can be tricky. What is an iambic pentameter? And how do you interpret some of the unusual sounding words written over 400 years ago? Whether you are studying his plays, or engaging with them for pleasure, this blog post will hopefully help guide you along the fascinating road to getting to grips with the Bard!
There is a lot of advice out there on auditioning. But there are a few things that a ton of performers do which impede their auditioning. Blogger Annie Edgerton shares five mistakes actors often make and how to flip them into something positive.
StageAgent looks at the most popular shows–both plays and musicals, blogs, and even characters in their 2016 Top Ten Lists. From classics like West Side Story and Guys and Dolls to current Broadway darling, Hamilton, the lists should have something for everyone. See which lists include your favorites!
When it comes to casting, much is uncertain. One thing, however, is guaranteed: if you want to land your dream role, you need to come to an audition prepared. Your monologue and song should be in a similar style and genre for the show you’re auditioning for – but not from the actual show(s). But to go even further, you should tailor your material to the role(s) you’re right for in the show/season. Luckily, you can now use StageAgent to find specific audition monologue and song recommendations based off of a character’s attributes.
I have found, both in my life as a creative and in my career in casting that there are two kinds of people: those who love auditioning and those that would rather eat glass, but know they must audition in order to work. Either way, auditioning is a necessary evil, if you want to be a professional actor. There is just no way around it. If you are a person who loves auditioning, consider yourself blessed.