Amy is the Associate Costume Director and Hair and Makeup Supervisor at Berkeley Repertory Theatre. A licensed cosmetologist, she spends her off hours writing about beauty and theatre on the internet at http://behindthescenes-beauty.com
Whether it’s as simple as lighting an actor’s face for visibility, or a special effect for musicals like Sweeney Todd, a lighting designer’s job is all about problem solving. As a full-time freelance designer, Kevin spends at least one, but usually two or three weeks a month in tech rehearsals in theaters throughout California. “It is a hard but absolutely wonderful life. If you’re like I was in high school and have any inkling to do theatre, do it.” Read our latest interview on StageAgent.
Every spring, the Berkeley Rep School of Theatre invites local teens to participate in a new works festival written, directed, designed, and performed by their peers. Unlike most opportunities for teens, recent college grads guide them through the production process, but the teens carry the bulk of the work. The process is exhilarating, exhausting, and inspiring to watch both onstage and off.
Skin is our largest organ, and for actors it’s their largest canvas. Unfortunately the canvas can take a real beating after six-week runs of eight-show weeks, months on tour, audition stress, and countless makeup applications. So here’s the skinny on how to keep your canvas in tip-top shape.
Children’s Theatre gets a bad rap. Some think it’s a fluff genre, with no substance. It’s as if a play for children doesn’t merit the same artistic credibility as a play for adults. Glitter, polka dots, and silly songs, can’t compare to Brecht, Stoppard, and Mamet. But these misconceptions couldn’t be further from the truth. Theatre for Young Audiences (TYA) is making waves, breaking molds, and giving artists endless creative opportunities fostering the future of theatre.