March is Women’s History Month, and throughout the theatre and film industry, women’s achievements are being celebrated. While there have been strides towards gender equity and representation in theatre, there is still work to do. The Actor’s Equity Association has done a study that identifies the “skew” towards white and male for theatre jobs .
Fortunately, there are dynamic groups dedicated to creating opportunities for women artists. The Bridge Initiative, created by Brenda Jean Foley and Tracy Liz Miller, is an incredible non-profit organization that incubates and celebrates professional female theatre artists in the Phoenix area. Read more to learn about the origins and ambitions of The Bridge Initiative.
In this final installment of our blog series, Playwright Chronicles, we discussed the ultimate big step for the emerging playwright: how do you transition your plays from the page to the stage? We were interested to find out how involved the playwrights were in this process, from finding and/or working with a theater company, to … Continue reading Playwright Chronicles: From Page to Stage→
Introducing the StageAgent summer interns! StageAgent interns spend four months with us and gain training and insight into the inner-workings of running a major web publishing property. They also get the opportunity to develop their writing portfolio by creating new show guides, improving upon existing guides, and contributing to the StageAgent blog. Recently, two fabulous interns began their summer term working with StageAgent, and we’d like to introduce them to you.
It’s almost time for the 2018 Tony Awards! There are so many wonderful performances from the Tony Awards telecasts over the past 50+ years, but the year that blogger and StageAgent editor, Laura Ware, remembers best is 1987. Read her latest blog to see why that year stood out for her. What are your favorites from the past? And what will be the standout this year?
Whether it’s as simple as lighting an actor’s face for visibility, or a special effect for musicals like Sweeney Todd, a lighting designer’s job is all about problem solving. As a full-time freelance designer, Kevin spends at least one, but usually two or three weeks a month in tech rehearsals in theaters throughout California. “It is a hard but absolutely wonderful life. If you’re like I was in high school and have any inkling to do theatre, do it.” Read our latest interview on StageAgent.