StageAgent sits down to discuss the collaborative artistic process with Patrick Burns and Kathleen Coombs. Take a look at the new interview and see how Patrick and Kathleen approach the challenges of writing a musical, getting to know a character, setting goals and keeping on track, and collaborating in person and long distance.
Musical Theatre audition books come in all shapes, sizes, and creeds. Some audition books that live somewhere between a paper cut and a broken dream. Some deposit loose pages and muffin crumbs all over the piano. However, every so often one encounters a rare unicorn: a clean, organized binder filled with easily readable and fabulous songs. Remember, for a musical theatre actor, the audition book can be your biggest asset or your Achilles’ heel.
Auditioning is a complicated and delicate art, and you should prepare for it with the same focus and preparation as a role or performance. Once you’ve found the perfect audition song, you need to cut your music, BUT you must find the right cut of the song to take into your audition.
So you’re going to audition for a musical. You’ve got an appointment (or the strength and spirit to wait in line), and you are going to do your best to make your musical theatre dreams come true. You have your headshot and resume all ready to go and now all you need to do is to choose a song. Read the StageAgent blog to answer a couple of questions that will help along the way.
Whether you’re auditioning for a regional production of South Pacific or the pre-Broadway workshop of the next Hamilton (Hamilton II: Peggy’s Revenge), you need to prepare your music and be able to confidently speak to an accompanist. Remember that the accompanist is your friend. The accompanist wants you to be a fantastic singer that is a joy to collaborate with. But you will need to master a few things before embarking on the all-too-brief audition journey with your new musical collaborator.