You’d be hard-pressed to find an actor that hasn’t practiced (mugged) in the mirror when prepping a role, monologue, or song. And while the mirror is a perfectly natural choice, the problem with the mirror is in the user. It’s human nature for all of us to look ‘where we want to look.’ We look at our hair, our waistline, our arms—we look at the thing we want others to see and appreciate. While in private moments we may look at what we perceive are flaws or imperfections, overall, we are looking in the mirror to find validation.
Enter the camera phone, now capable of greater video and photographic ability than ever before.
Professional stage actor, Rob Richardson, literally saw himself in a role in the musical “The Bridges of Madison County”. In this post, Rob discusses his 5 year journey preparing for the show, auditioning and eventually landing the leading role of Robert Kincaid with the Silicon Valley theatre company, TheatreWorks.
Actors want to be wanted, whether it’s for a role in a play or musical, film, or TV show. But sometimes we want to get that role so badly that we forget to use some common sense and may get ourselves into an iffy situation. Here are five things to watch out for so the only thing you have to worry about is if you get the gig!
Musical Theatre audition books come in all shapes, sizes, and creeds. Some audition books that live somewhere between a paper cut and a broken dream. Some deposit loose pages and muffin crumbs all over the piano. However, every so often one encounters a rare unicorn: a clean, organized binder filled with easily readable and fabulous songs. Remember, for a musical theatre actor, the audition book can be your biggest asset or your Achilles’ heel.
Auditioning is a complicated and delicate art, and you should prepare for it with the same focus and preparation as a role or performance. Once you’ve found the perfect audition song, you need to cut your music, BUT you must find the right cut of the song to take into your audition.