Photo Credit: RichardBH via Creative Commons License 2.0
Photo Credit: RichardBH via Creative Commons License 2.0

When we think of the best roles in a musical for a teenager, our thoughts often immediately turn to shows such as High School Musical, Hairspray, Bugsy Malone, Fame, or Grease. These musicals are brilliant for a range of multi-age teenage roles, with large casts and plenty of scope for principal, supporting, and ensemble parts. They are also immensely fun and frequently performed.

However, what about key roles for teenagers in musicals that are not specifically targeted at 11-19 year olds? Here, we have put together a list of just some of the exciting parts for teenagers out there and how they cater to particular strengths, be it ballet dancing, challenging vocals, or comic timing.

  1. Wednesday Addams in The Addams Family

Starting off with a modern show that opened on Broadway in 2010, Wednesday Addams is a great character role in this comically dark musical. Wednesday, an 18-year-old girl, is smart, temperamental, and impulsive. It is a great quirky, character role, also requiring strong vocals. Her song “Pulled” is an offbeat, comic solo that is exciting for any young actress to get her teeth in to.

  1. Pugsley Addams in The Addams Family

Similarly, Wednesday’s younger brother, Pugsley Addams, is a mischievous adolescent with a dark, macabre sense of humor. He takes delight in being tortured and forms a strong double act with his sister. A real treat for a keen young character actor! This role requires strong, comic timing and his solo “What If” reflects this.

  1. Chava in Fiddler on the Roof

Depending on the playing ages in this show, Chava’s sisters Tzeitel and Hodel are often played by actresses older than teenagers. However, Chava is the youngest daughter, and she must have a sweet innocence about her that is truly captured by a late teenager. Leaving her family and religion to follow her heart, the actress playing Chava must be a strong actress and dancer, as she features heavily in the dream ballet, “Chavaleh (Little Bird)”.

Photo Credit: Linda Hartley via Creative Commons License 2.0
Photo Credit: Linda Hartley via Creative Commons License 2.0

  1. Billy in Billy Elliot

The role of Billy is a dream part for any teenage boy who is an all-rounder, but excelling particularly in dance. Although, at the beginning of the show, Billy cannot dance at all, by the end he must be able to perform complicated ballet and tap routines with assurance and a definite wow-factor. There are several dance solos, as well as singing solos, and the musical is carried by this talented teenager. Natural comic timing is also a must, as is a convincing northeast English accent (check out our YouTube clips of the show, or look up clips of the recent Sting musical, The Last Ship).

  1. Michael in Billy Elliot

If you’re going to look at the role of Billy in this heart-warming, funny musical, you should also think about the role of Michael. Like Billy, Michael must also be a talented dancer, performing dance duets with Billy (check out “Expressing Yourself”, it’s a hoot!). Michael is the supporting, comedy foil and his comic timing and performance must be spot on. Like Billy, a convincing northeast English accent is needed – a good challenge for any strong performer.

  1. Tobias Ragg in Sweeney Todd

Although the age of Tobias (Toby) varies between teenager and young adult in differing productions of this classic Sondheim musical, since the 2007 Tim Burton film, it is more commonly played by a mid-teen in modern productions. Toby is a victim of circumstance and deeply affected by the death and gore he sees around him. He must have a strong tenor singing voice and effective stage presence to wreak his revenge on Sweeney Todd at the end of the show.

  1. Liesl Von Trapp in The Sound of Music

Liesl is the eldest daughter of Captain Von Trapp and has a playing age of 16. She encounters the common problem of many teenagers—believing herself to be in madly in love, but is she really? Liesl must show responsibility and authority with her brothers and sisters, yet portray a naivete and innocence in her relationship with Rolf and her understanding of the grown-up world. Liesl is a strong singer and dancer

  1. Fredrika Armfeldt in A Little Night Music

Fredrika is a great part for a young to mid teen with strong, confident vocals that reflect her innocence and youth. She is inquisitive and intuitive, enjoying touching scenes with her grandmother, Madame Armfeldt. She misses her actress mother, who is touring the country, and her naïve take on the world of an actress is reflected in the song “The Glamorous Life”. This song is often sung as a solo for auditions/performances (great choice for a young female teen), but within the musical it features more characters.

Photo Credit: Siena College via Creative Commons License 2.0
Photo Credit: Siena College via Creative Commons License 2.0

9 & 10. Jack and Little Red Riding Hood in Into the Woods

This fabulous musical offer great opportunities for two interlinking teenage lead roles. Jack, reluctantly instructed to sell his beloved cow, Milky White, must deal with the wrath of the giant when he plants the magic beans given to him by the Baker. Meanwhile, Little Red Riding Hood learns about the dangers of her innocent, friendly nature when she meets the cunning wolf. Both roles are incredibly fun and fast-paced. Like most Sondheim musicals, they require strong vocal ability and the two characters have solos, but also complicated multi-vocal arrangements.

Bonus Extras!

Baby June & Baby Louise in Gypsy

If you are slightly younger than the ages required for the roles above, why not look at these parts?

The roles of Baby June and Baby Louise are great, fun roles for two talented youngsters. The playing ages are 8-10 and 10-12 respectively and perfectly suit young, cherubic looking teenagers. The eldest sister Louise loves her sister deeply but is painfully shy as a performer. This needs to come through in her performance and the role requires strong acting skills, as well as confident vocals and (deliberately wooden) dancing.

In contrast, Baby June is a confident, extrovert performer, having been groomed extensively by her mother. She loves her sister but knows that her role is to get out there and perform. Vocally, she needs to have a strident, babyish voice, and the stage presence to lead a staged, dance routine. Baby June also needs to be able to perform gymnastic tricks.


  1. Please, PLEASE eliminate Grease from your list of musicals worthy of any mention. There are a growing number of astute and caring high school directors who are finally realizing that this musical is no longer appropriate for our audiences. (never was). The main theme of this outdated musical is one of using peer pressure to manipulate another teen into doing things that she intially deems unlike her and makes her sad, lonely, uncomfortable, ostracized but, in the end, she yields to the pressure. There is name-calling, shaming and outright bullying that occurs throughout the show in the name of getting a laugh. Nice – huh?

    Apparently the writers never had to persevere upon a high school faculty after yet another teen suicude among their student body has occured due to bullying. Please re-read this script and consider how this musical is part of the long-ignored problem of teen bullying, drinking and sexual risk-taking that has permeated our American teen culture for generations. No responsible director who seeks to use his or her life work to elevate the human condition should ever consider producing this harmful and embarrassingly unfunny script.

    The music alone is fine – but time for this production to be gone.

    1. Hi Mary, whilst I appreciate your comments/reservations, Grease remains a hugely popular musical that is regularly produced across the world. This blog post references that fact but does not include the show as one of the featured recommended musicals.

    2. I completely disagree. Teenagers have been and are forever going to be facing the issues of sexuality and their own development as individuals. This musical is a classic. It’s messages have stood the test of time. Seems like you haven’t faced reality in a while. Or you live in a bubble.

  2. I’m a teen that is getting into the musical theater scene (my first musical will be Mary Poppins) and I’m thinking of auditioning for Jane Banks but I have a feeling I’m a little too old for the role (I’m 14 and I’m pretty sure Jane is like 11 or 12) any advice for other roles in Mary Poppins I might be able to look into? (The show is open to ages 4-adult so)

    1. Ashley,
      That’s great about auditioning for Mary Poppins! You are correct that Jane is a bit younger than you, but there are a few elements to consider: how tall are you; do you physically LOOK 14 or are you more petite and look young for your age; could you believably (be very honest with yourself) play a 10-12 year old child? Being honest with ourselves as actors is the most important thing. There are many roles we may want to play, but will it be believable even with costumes and make-ups, etc? And for a teen, the transition can be hard finding roles that suit your age. That’s why we wanted to share this list in the first place.
      As for other roles, the only parts specifically for young people are the Banks children, but considering that it sounds like this will be your first musical, it would be most likely that you would be placed in the ensemble of the show. And the Mary Poppins ensemble is lots of fun, with many fun numbers to perform in like Jolly Holiday and Supercalifragilisticexpialidocious.
      Good luck!
      Laura – Editor

    2. Hi Ashley, good question!

      Often, suitable roles for 12-14 year olds can be some of the more difficult to find as you are transitioning from child to teen parts. As Laura said, unless you are small or young-looking for your age, you may well be slightly too old for the role of Jane Banks. However, there is a large ensemble in this musical, offering lots of opportunities for developing your musical theater training. What are your strengths? Do you enjoy harmony singing and fun, challenging choreography? If so, you’ll have a great time in Mary Poppins!

    3. If it’s any help, I played Jane Banks when I was 16. I’m short and have a child-like voice and features, so if that’s something you have than you can really work it to your advantage. Sometimes directors want actors that are older because they can pay attention more, and are more developed vocally and acting-wise. Do your best and good luck on your audition!!

  3. Hi,

    First off I love the blog and it really helps me with my roles. I have recently been given the role of pugsley in The Addams Family Musical and I am thrilled. Do you have any suggestions as to what accent should be done or any tips for how to hit the high notes of ‘When your an addams’ and ‘What if’.

    Thank you!

  4. Hi! I’m 13, and I go to California School of the Arts San Gabriel Valley, and am in the Musical theater conservatory.

    I also do another after school company, and while we are in quarantine, this company is doing a virtual show. We are doing Midsummer Nights Dream but a musical version and set in1969(our directors write their own shows). I got cast as Helena. I’ve done my character work and Utah hagens and all that, but I’m just not getting into her character like I’ve done in the past. Any tips on how to reach the realm of Helena and really understand her? Thanks, and have a great day.

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