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The National Tour: More Conversations on Casting

StageAgent interviews casting director Alison Franck for another perspective on casting a national tour. Alison has been casting everything from Broadway, Off-Broadway, Regional Theatre, National Tours, Television, and Film for more than 20 years. She offers some personal insights on touring and gives actors some valuable tips on the use of modern technology in auditioning.
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Auditioning: The Actual Job of an Actor

I am of the school of thought that when it comes to being an actor, auditioning is the real work. While I continue to hone this skill, I now recognize that performing is the reward for those seemingly endless hours of work. Rather than approaching them as job interviews, I think of auditions as a unique, albeit brief opportunity to perform for a crowd of few. After all, what more does entertainment require than the actor and audience? Dare to treat them with a touch of levity and you might just find that auditioning can be rewarding and, dare I say, fun.
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Auditions: How to Behave in “The Room”

You can act, you can sing, maybe you can even dance, play an instrument, and eat fire, but can you AUDITION? Can you go into the room and present yourself in a professional manner, and not open the door to any unnecessary judgment or questions? I’ve heard many people say that this is a separate skill, and while I don’t know if I completely buy into that theory, I do know that there is one thing an actor will do if given the chance: shoot themselves in the foot. Here’s how not to do that.

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