Every actor’s (or stage manager’s) journey is unique and joining the Actors’ Equity Association (AEA) is a personal decision that only you can make. I suppose it’s appropriate that I weigh in on this topic as it’s a decision I am in the middle of making myself. My life and career have presented an opportunity which begs the question, are you ready? Your path will be different, or perhaps similar! In either case, here I am, an actor teetering on the edge of Equity. What about you?
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Performers of any kind rely on their bodies. Whether they are dancing, singing, or acting the most dramatic roles, a performer needs access to their abilities and their emotional life. As performing artists, we’ve chosen a difficult path, one often laden with long hours, little rest, constant practice and training, for what at times can be little reward. To survive in this environment, and hopefully thrive, you must have your health, and be able to maintain your health when you’re away from home.
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So you’re going to audition for a musical. You’ve got an appointment (or the strength and spirit to wait in line), and you are going to do your best to make your musical theatre dreams come true. You have your headshot and resume all ready to go and now all you need to do is to choose a song. Read the StageAgent blog to answer a couple of questions that will help along the way.
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StageAgent interviews casting director Alison Franck for another perspective on casting a national tour. Alison has been casting everything from Broadway, Off-Broadway, Regional Theatre, National Tours, Television, and Film for more than 20 years. She offers some personal insights on touring and gives actors some valuable tips on the use of modern technology in auditioning.
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StageAgent interviews casting director, Bob Kale, on his perspective with casting national tours. Bob has been casting theatre, television and film for more than 20 years. He answers such questions as “What, if anything, is different about casting a national tour versus casting a regional production of the same show?” and “What’s the biggest challenge in casting a tour, or really, casting anything?” You’ll be surprised at the answer.
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News, thoughts, opinions and advice for the performing arts community.