It’s that time again for the Broadway Super Bowl — otherwise know as the Tony Awards! I think I can safely predict two names we will hear A LOT tonight (at least in the musicals categories) — Evan and Dolly. Who are your favorites?
Hamilton and Hello, Dolly!–complete opposites of the musical theatre spectrum, one would think. StageAgent editor and blogger, Laura Ware, shares her thoughts on the correlations in such different shows and their relevance in our current political climate, and how much we need both of them today in the growth and influence of musical theatre itself.
When actors are given a contract for most theatre jobs, they usually have finite terms, an “end date.” I would imagine that most contracts are honored by the actor, as work is hard enough to come by. But occasionally, we are lucky enough to have another company offer an opportunity before we have completed the terms of the current employer. Assuming we want to accept the offer, what do we do?
Touring can be a magical and wonderful experience, whether you’re a replacement in the road company of Wicked, or launching a new tour like Bright Star. Be excited about it! Read here how you can make the most out of your road journey.
Every spring, the Berkeley Rep School of Theatre invites local teens to participate in a new works festival written, directed, designed, and performed by their peers. Unlike most opportunities for teens, recent college grads guide them through the production process, but the teens carry the bulk of the work. The process is exhilarating, exhausting, and inspiring to watch both onstage and off.