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sa-auditions

34 posts
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  • 7 min

THE NATIONAL TOUR: CASTING

StageAgent interviews casting director, Bob Kale, on his perspective with casting national tours. Bob has been casting theatre, television and film for more than 20 years. He answers such questions as “What, if anything, is different about casting a national tour versus casting a regional production of the same show?” and “What’s the biggest challenge in casting a tour, or really, casting anything?” You’ll be surprised at the answer.
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  • 5 min

Auditioning: The Actual Job of an Actor

I am of the school of thought that when it comes to being an actor, auditioning is the real work. While I continue to hone this skill, I now recognize that performing is the reward for those seemingly endless hours of work. Rather than approaching them as job interviews, I think of auditions as a unique, albeit brief opportunity to perform for a crowd of few. After all, what more does entertainment require than the actor and audience? Dare to treat them with a touch of levity and you might just find that auditioning can be rewarding and, dare I say, fun.
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  • 5 min

Keep Calm and Embrace Your Type

To know your type as an actor is to understand your strengths and how others perceive them. To embrace your type is using this knowledge to power your career choices. Understanding your type is allowing yourself to be the best piece to fit in the overall puzzle. This sense of clarity and self-awareness is essential. However, we are not limited to one type over the course of our careers. There’s plenty of room for growth and discovery.
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  • 6 min

Auditions: How to Behave in “The Room”

You can act, you can sing, maybe you can even dance, play an instrument, and eat fire, but can you AUDITION? Can you go into the room and present yourself in a professional manner, and not open the door to any unnecessary judgment or questions? I’ve heard many people say that this is a separate skill, and while I don’t know if I completely buy into that theory, I do know that there is one thing an actor will do if given the chance: shoot themselves in the foot. Here’s how not to do that.
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  • 4 min

The Art and Importance of Asking for Feedback

In my book, the number one thing that separates good actors from great actors is their ability to hear and respond to feedback. But who is telling artists what they need to hear? There is something amazing that happens when you get cast in a show: you inherit a director.

Suddenly, you have someone to shape your work, and help you see beyond your own limitations. You have a person who is on your side, but is being paid to push you. That person is allowed to question your choices, encourage you to do more and be more, and ask you to reach further inside to make the piece stronger, as a whole. Like a football coach, your director helps you find the plays and puts you in the best position for overall success.

But what about the other ninety percent of your career? All that time when you are trying to get the gig. Ladies and gentlemen —-THAT IS THE MOST IMPORTANT TIME TO ASK FOR FEEDBACK.

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