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No Summer Gig…No Big Deal

When last we met, I was extolling the virtues of summer stock theatre, that magical place where you build your skills as a performer, meet fascinating (and not-so fascinating) people, and try very hard not to embarrass yourself at the closing night party. But what if you’re not doing stock, what if you’re in the City (or elsewhere) for the summer, not necessarily performing? What should you do with yourself all summer?
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The Art and Importance of Asking for Feedback

In my book, the number one thing that separates good actors from great actors is their ability to hear and respond to feedback. But who is telling artists what they need to hear? There is something amazing that happens when you get cast in a show: you inherit a director.

Suddenly, you have someone to shape your work, and help you see beyond your own limitations. You have a person who is on your side, but is being paid to push you. That person is allowed to question your choices, encourage you to do more and be more, and ask you to reach further inside to make the piece stronger, as a whole. Like a football coach, your director helps you find the plays and puts you in the best position for overall success.

But what about the other ninety percent of your career? All that time when you are trying to get the gig. Ladies and gentlemen —-THAT IS THE MOST IMPORTANT TIME TO ASK FOR FEEDBACK.

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Stage Makeup for Actors on a Budget

Despairing about the investment you’re making in makeup before your big show?

The days of buying a pricey, yet basic, Ben Nye makeup kit to get you through a year of auditions and performances are over. With the rise in popularity of airbrush makeup, serious contouring, and mascara that mimics fake lashes, mainstream makeup has become pretty darn theatrical. This change in trend benefits no one as much as the budget-conscious actor.

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How to Find the Perfect Monologue

Whether you’re just starting out in the biz or a longtime pro, the search for the perfect monologue never ends. Monologues are frequently used in auditions, coaching sessions, and classes, so it’s important to know how to look and where to begin your search.

First of all, you’re starting in the right place—StageAgent has a huge directory of monologues, all linked to play or musical study guides. There, you can read the monologues themselves, but also information about the context in which they are spoken, and links to a character analysis and a guide to the play as a whole.

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