http://stageagent.com/talent/amy-bobeda-9cb6
Amy is the Associate Costume Director and Hair and Makeup Supervisor at Berkeley Repertory Theatre. A licensed cosmetologist, she spends her off hours writing about beauty and theatre on the internet at http://behindthescenes-beauty.com
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I Left My Heart in Summer Stock

I learned the greatest life lessons in summer stock theater. For five summers, deep in the redwoods, I bounced between the costume shop, wig shop, and backstage running two to three exhilarating shows a season. My summers of outdoor theatre fueled my career faster than any class, seminar, or resume credit. I developed a breadth of skills in design, aesthetics, construction, hair, and makeup that I wouldn’t have experienced in college alone.
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Break Into the Biz: A Career in Theatre Design

So, you want to design for theatre? Where do you begin? There is no simple path to a career in design. Some people find their way into the industry fresh out of college; others discover theatre later in life. Many receive traditional education; others learn on the job. Whether you’re in high school considering the college path, or mid-career with an urge to see your art onstage, there’s room and potential for everyone.
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How Can You Have a Family and Work in the Arts?

How can you have a family when you work in theatre arts? I am nearly thirty. Plenty of my peers have children, so I could, too, except I work in the arts. The choice to have children or not is made for a myriad of reasons, but the time and financial responsibility isn’t always manageable in theatre. It’s just not that simple in this line of work. There are so many factors to consider.
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Actors and Costume Designers: Building a Perfect Relationship

Clothing is the most intimate and relatable design element in theater. Everyone wears clothing, and everyone has opinions about clothing. Often what we wear says more than any words or actions do: who we are, where we’re from, what year it is, how much money we have, how much money we want other to think we have. These are just a few stories clothing tells in real life and onstage, making the relationship between the actor and the costume designer one of the most important. As you share your discoveries of your character, the costumer can share theirs and you can build a strong character together if you follow five simple steps.
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For the Love of Blood: Your Ultimate Guide to Stage Blood

With the Ides of March upon us — the day upon which Julius Caesar was murdered — it’s the perfect time of year to talk stage blood. The key to perfect stage blood is choosing the right variety for you particular blood scenario. Whether it’s buckets of blood in Martin McDonagh’s Lieutenant of Inishmore, or Lady Macbeth’s bloody hands in William Shakespeare’s Macbeth, stage blood is an exhilarating, thrilling, sticky mess. Here are some tips for making the most out of even the stickiest stage blood situations.

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