BRIT CHRISTOPHER is a playwright and theatre educator. A writer of drama, comedy and theatre for young audiences, she is most interested in creating theatre that is relevant, honest and human. With a BFA in Acting and a MA in Theatre Education, Brit is also a full-time theatre educator and director for children, as well as an occasional actor in the Greater Boston area. Brit has served as a presenter at several conferences, including a theatrical team-building presentation at the New England Theatre Conference and a discussion on gender in theatre for young audiences at the American Alliance of Theatre and Education national conference. Other works of note include, "Sidewalk Cracks", "Interlocked", "3" and "Kings".
So, you have a ton of ideas but how do you get them down on the page? Writing a play must be easy right? Umm….errrr…. Brit Christopher offers some tips on getting the writing process going.
An actor’s life is tough and watching someone else get the part you *know* you were perfect for is even harder. So, how do we best deal with our insecurities?
COVID-19 has hit us hard in many ways and theatrical productions have been lost/changed/reimagined. But how do we mourn for the shows we may never get the chance to return to?
One of the hardest things as a playwright is to receive criticism of your play. However, Brit Christopher explains why it is necessary to let your guard down and listen to the advice of others in order to improve. And there’s ALWAYS room for improvement, right?
Teaching middle-school drama remotely is not easy and nor does anyone expect it to be. In our latest blog post, we offer some tips on how to encourage creativity and inventive learning at home.
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