I am of the school of thought that when it comes to being an actor, auditioning is the real work. While I continue to hone this skill, I now recognize that performing is the reward for those seemingly endless hours of work. Rather than approaching them as job interviews, I think of auditions as a unique, albeit brief opportunity to perform for a crowd of few. After all, what more does entertainment require than the actor and audience? Dare to treat them with a touch of levity and you might just find that auditioning can be rewarding and, dare I say, fun.
Should you be an understudy, a standby, a swing? It’s kind of a vague question, but usually the undercurrent there is that once you become known as a reliable cover, you’ll be an understudy forever. You could ask Shirley MacLaine, Anthony Hopkins, Bernadette Peters, Taye Diggs, Matthew Morrison, or Lea Michelle; they all started out as understudies and moved on to exceptional careers. But let’s backtrack a little, what’s the actual difference in these special stage roles? Each of these positions holds its own unique advantages and challenges.
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