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The Art and Importance of Asking for Feedback

In my book, the number one thing that separates good actors from great actors is their ability to hear and respond to feedback. But who is telling artists what they need to hear? There is something amazing that happens when you get cast in a show: you inherit a director.

Suddenly, you have someone to shape your work, and help you see beyond your own limitations. You have a person who is on your side, but is being paid to push you. That person is allowed to question your choices, encourage you to do more and be more, and ask you to reach further inside to make the piece stronger, as a whole. Like a football coach, your director helps you find the plays and puts you in the best position for overall success.

But what about the other ninety percent of your career? All that time when you are trying to get the gig. Ladies and gentlemen —-THAT IS THE MOST IMPORTANT TIME TO ASK FOR FEEDBACK.

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Unveiling Artistic Identity or #WhyIMadeThisAlbum

I did a crazy thing last week. I released my debut album, The Heart is the Hunter. I am an actor, mostly stage. Much classical. And I, an actor, have now birthed into the world a — what I like to call — indie folk pop record…we each have many voices. We may go through training of some kind to hone one or more of them, but ultimately what makes us good artists is our multitude of interests, desires, voices we have to share.
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How to Find the Perfect Monologue

Whether you’re just starting out in the biz or a longtime pro, the search for the perfect monologue never ends. Monologues are frequently used in auditions, coaching sessions, and classes, so it’s important to know how to look and where to begin your search.

First of all, you’re starting in the right place—StageAgent has a huge directory of monologues, all linked to play or musical study guides. There, you can read the monologues themselves, but also information about the context in which they are spoken, and links to a character analysis and a guide to the play as a whole.

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