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How to Keep a Long-Running Performance Fresh

What happens when an actor grabs that brass ring at last, the long-running contract? It could be a tour, or a Broadway show, even some regional theatres that operate continuous schedules, producing the same show(s) for years on end? You’ve finally been rewarded for all your efforts, and that reward is…to do the same thing 6 nights a week for the next 6 months, even a year, maybe even longer? How can you manage it?
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The National Tour: More Conversations on Casting

StageAgent interviews casting director Alison Franck for another perspective on casting a national tour. Alison has been casting everything from Broadway, Off-Broadway, Regional Theatre, National Tours, Television, and Film for more than 20 years. She offers some personal insights on touring and gives actors some valuable tips on the use of modern technology in auditioning.
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Top Tips on the Edinburgh Fringe Festival

The Edinburgh Festival Fringe is the world’s largest arts festival, with over 50,000 performances of 3,279 shows in nearly 300 venues across the city in 2016. It is held in August every year, and it is really never too early to start planning for the Fringe! There are so many things to consider: What type of venue is best for your show? City center or out of the main action? How do you promote it? How do you compete with the thousands of other shows appearing at the Fringe? Honestly, the top tip really is to ENJOY the Edinburgh Festival Fringe! The diversity, quality, and eccentricity on display is amazing. There really is nothing like it!
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Theatre for Young Audiences: An Enchanting Genre

Children’s Theatre gets a bad rap. Some think it’s a fluff genre, with no substance. It’s as if a play for children doesn’t merit the same artistic credibility as a play for adults. Glitter, polka dots, and silly songs, can’t compare to Brecht, Stoppard, and Mamet. But these misconceptions couldn’t be further from the truth. Theatre for Young Audiences (TYA) is making waves, breaking molds, and giving artists endless creative opportunities fostering the future of theatre.

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