Directing

24 posts

Advice and interviews with Broadway theatre directors. Learn the tips of the trade to help you put forth your best work.

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  • 5 min

I Wish I Knew: Interview with Artistic Director Sam White

Welcome to the third installment of I Wish I Knew, a monthly blog dedicated to sharing wisdom from artists around the country to up and coming theater makers, film makers, producers, directors, actors…you name it! This month I had the honor of interviewing my friend and colleague, Sam White (she/her/hers), the founding artistic director of Shakespeare in Detroit and a freelance director. She is one of those amazing humans who either has a clone, a time-turner (shout out to Harry Potter fans) or just an extraordinary ability to do a lot of things a lot of the time. Check out Sam’s interview!
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  • 4 min

I Wish I Knew: Interview with Casting Director Cathy Reinking

I Wish I Knew is back this week! A new blog dedicated to interviewing people in the theater and on camera business to get some answers about their journeys through the industry, I thought it would be awesome to interview my casting director friend Cathy Reinking (she/her/hers). As an actor, I’ve spent a lot of my career thinking casting directors were the untouchable, unreadable keepers of the gate to success. They seem scary and intimidating. But then I met Cathy who is one of the most open, nonthreatening casting directors I know. Like a lot of casting directors (seriously!) she is an advocate for artists. Whether you are an actor wanting to know more about what casting directors do, or you want to be a casting director yourself, I think you’ll find Cathy’s interview eye opening.
Directing Les Misérables
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  • 5 min

Tips for First-Time Directors: Managing the Production

Congratulations! You’re directing your first show and are probably feeling a little overwhelmed right now — which is totally normal. Whether you are directing at a school or with a community theater, all directors have the same starting point: choosing the show. Selecting the show requires considering many factors, including people, time frame, budget. And then, after the show is chosen, you now have many things to consider before auditions even start, and all of these things can be broken down into two categories: aesthetics and logistics.
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  • 6 min

Community: A Theatrical Necessity

Community engagement must be a part of every theatre-making process. There is no theatre without an audience. The audience is as much a part of a play-making experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing, that working with the community teaches me just as much or more about the play on which I’m working than anything I do in the rehearsal room or on stage.

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