Whether you’re auditioning for a regional production of South Pacific or the pre-Broadway workshop of the next Hamilton (Hamilton II: Peggy’s Revenge), you need to prepare your music and be able to confidently speak to an accompanist. Remember that the accompanist is your friend. The accompanist wants you to be a fantastic singer that is a joy to collaborate with. But you will need to master a few things before embarking on the all-too-brief audition journey with your new musical collaborator.
Whether you’re a chorus member or a principal in a show, going in for your first costume fitting is daunting. You’re vulnerable. This is the moment your interpretations of your character meet the designer’s. It’s the next step in character development, but can be challenging if you’re not prepared. Here are some tips to take you from fitting novice to rock star.
StageAgent is embarking on a multi-part series breaking down that Golden Fleece of an actor’s desire—the National Tour. Over the course of the next several months we will be examining the attraction, benefits, potential downsides, and financial realities of living out of your suitcases for a few months or even a few years.
When last we met, I was extolling the virtues of summer stock theatre, that magical place where you build your skills as a performer, meet fascinating (and not-so fascinating) people, and try very hard not to embarrass yourself at the closing night party. But what if you’re not doing stock, what if you’re in the City (or elsewhere) for the summer, not necessarily performing? What should you do with yourself all summer?
Despairing about the investment you’re making in makeup before your big show?
The days of buying a pricey, yet basic, Ben Nye makeup kit to get you through a year of auditions and performances are over. With the rise in popularity of airbrush makeup, serious contouring, and mascara that mimics fake lashes, mainstream makeup has become pretty darn theatrical. This change in trend benefits no one as much as the budget-conscious actor.