Welcome to the third installment of I Wish I Knew, a monthly blog dedicated to sharing wisdom from artists around the country to up and coming theater makers, film makers, producers, directors, actors…you name it! This month I had the honor of interviewing my friend and colleague, Sam White (she/her/hers), the founding artistic director of Shakespeare in Detroit and a freelance director. She is one of those amazing humans who either has a clone, a time-turner (shout out to Harry Potter fans) or just an extraordinary ability to do a lot of things a lot of the time. Check out Sam’s interview!
I Wish I Knew is back this week! A new blog dedicated to interviewing people in the theater and on camera business to get some answers about their journeys through the industry, I thought it would be awesome to interview my casting director friend Cathy Reinking (she/her/hers). As an actor, I’ve spent a lot of my career thinking casting directors were the untouchable, unreadable keepers of the gate to success. They seem scary and intimidating. But then I met Cathy who is one of the most open, nonthreatening casting directors I know. Like a lot of casting directors (seriously!) she is an advocate for artists. Whether you are an actor wanting to know more about what casting directors do, or you want to be a casting director yourself, I think you’ll find Cathy’s interview eye opening.
Over the past few months, we have been asking our contributors here at StageAgent what some of their favorite theatre books were, whether it was for a summer read, something that greatly influences them, or just an amazing reference book to have on hand. So to kick off 2018, here’s a suggested reading list, a quick run down of 12 books recommended by the StageAgent team. We think there’s a little something here for everyone. Enjoy!
As an experienced Actor, Director, Choreographer of many-a-year and stage show for that matter, I’ve utilized the past 5 years in theater as more of a personal mission to learn more about the theater processes and procedures and determine the key components that help a particular show achieve success.
It would seem that within the realm of any individual stage show, it’s the associated stage director that is the single most powerful driving factor to help guide the show to ultimate success. But be not fooled, the director needs a ton of help/support to carry out his/her vision. Let us take a few moments to touch upon some key elements that lead to a highly effective stage director.
News, thoughts, opinions and advice for the performing arts community.