Successfully performing an operatic role requires a ton of work and planning before you step foot on stage. Enjoy part two in our series on preparing an operatic role. Study one opera singer’s journey as she gets ready to perform the role of Fidalma in Il matrimonio segreto. Learn how to perform character research, memorize your lines and other expert tips.
After all that hard work preparing for your auditions you’ve received the best news: you got the job! You’ve been offered a role in a production somewhere! Mission accomplished, right?
Wrong! Here’s where the work really starts. It makes no difference if you were offered the role on a pay-to-sing, amateur production, a young artist program (YAP), a summer school, a regional tour, or the Met, the preparation you do before day one of rehearsals will determine not only how well you perform this particular role, but could influence the rest of your career.
Whether you’re a chorus member or a principal in a show, going in for your first costume fitting is daunting. You’re vulnerable. This is the moment your interpretations of your character meet the designer’s. It’s the next step in character development, but can be challenging if you’re not prepared. Here are some tips to take you from fitting novice to rock star.
News, thoughts, opinions and advice for the performing arts community.