So, you know you want to put on a play. Perhaps there’s a show you’ve been burning to produce. As we set about producing a play in today’s day and age, I think we must ask ourselves, “Why this play? Why now? Why this medium?” Sometimes, the play itself seems to answer these questions immediately. Sometimes, it’s more of a challenge. Producers selecting plays may also use this criteria to drive their lists of dream shows – and yet sometimes logistical factors, a desire to put together a season of plays in dialogue with one another, or the desire to find the perfect play for an ensemble of artists you love set producers on a more directed, play-specific hunt. And of course, budget is always a limiting factor. Read more to learn how to choose an amazing season for your theater group while adhering to budget constraints.
StageAgent sits down to discuss the collaborative artistic process with Patrick Burns and Kathleen Coombs. Take a look at the new interview and see how Patrick and Kathleen approach the challenges of writing a musical, getting to know a character, setting goals and keeping on track, and collaborating in person and long distance.
We have all heard of William Shakespeare. His plays are regularly performed across the globe, and they frequently feature as prominent texts on school/college syllabuses. Yet getting to grips with Shakespeare’s works can be tricky. What is an iambic pentameter? And how do you interpret some of the unusual sounding words written over 400 years ago? Whether you are studying his plays, or engaging with them for pleasure, this blog post will hopefully help guide you along the fascinating road to getting to grips with the Bard!
Musical Theatre audition books come in all shapes, sizes, and creeds. Some audition books that live somewhere between a paper cut and a broken dream. Some deposit loose pages and muffin crumbs all over the piano. However, every so often one encounters a rare unicorn: a clean, organized binder filled with easily readable and fabulous songs. Remember, for a musical theatre actor, the audition book can be your biggest asset or your Achilles’ heel.
Auditioning is a complicated and delicate art, and you should prepare for it with the same focus and preparation as a role or performance. Once you’ve found the perfect audition song, you need to cut your music, BUT you must find the right cut of the song to take into your audition.