Jeffrey Lo is a Filipino-American playwright and director, and the casting director at the soon-to-be Tony Award winning TheatreWorks Silicone Valley! J Lo (as he’s lovingly known by his friends), gives an incredibly detailed, thoughtful, wise interview about how playwriting led him to directing, why we still have a long way to go to achieving equity and inclusion in the theater, the difference in directing new works vs. classical works, and much, much more. If you’re interested in directing, playwriting, acting, or anything else, this is the interview for you!
In this final installment of our blog series, Playwright Chronicles, we discussed the ultimate big step for the emerging playwright: how do you transition your plays from the page to the stage? We were interested to find out how involved the playwrights were in this process, from finding and/or working with a theater company, to … Continue reading Playwright Chronicles: From Page to Stage→
So, you know you want to put on a play. Perhaps there’s a show you’ve been burning to produce. As we set about producing a play in today’s day and age, I think we must ask ourselves, “Why this play? Why now? Why this medium?” Sometimes, the play itself seems to answer these questions immediately. Sometimes, it’s more of a challenge. Producers selecting plays may also use this criteria to drive their lists of dream shows – and yet sometimes logistical factors, a desire to put together a season of plays in dialogue with one another, or the desire to find the perfect play for an ensemble of artists you love set producers on a more directed, play-specific hunt. And of course, budget is always a limiting factor. Read more to learn how to choose an amazing season for your theater group while adhering to budget constraints.
StageAgent sits down to discuss the collaborative artistic process with Patrick Burns and Kathleen Coombs. Take a look at the new interview and see how Patrick and Kathleen approach the challenges of writing a musical, getting to know a character, setting goals and keeping on track, and collaborating in person and long distance.
We have all heard of William Shakespeare. His plays are regularly performed across the globe, and they frequently feature as prominent texts on school/college syllabuses. Yet getting to grips with Shakespeare’s works can be tricky. What is an iambic pentameter? And how do you interpret some of the unusual sounding words written over 400 years ago? Whether you are studying his plays, or engaging with them for pleasure, this blog post will hopefully help guide you along the fascinating road to getting to grips with the Bard!