Performance adjudication is an important component of classroom assessments, thespian events and festivals, and high school awards competitions. Performers and directors revel in the compliments and bristle at the criticisms. Adjudicator comments can vary widely, even for the same show. Responsible adjudication, especially when dealing with students, is vital. Students are still in the process of learning, and as adjudicators, our job is to give feedback that will teach. If you are an adjudicator, follow these four guidelines to ensure that you do your job correctly and help students improve.
Professional stage actor, Rob Richardson, literally saw himself in a role in the musical “The Bridges of Madison County”. In this post, Rob discusses his 5 year journey preparing for the show, auditioning and eventually landing the leading role of Robert Kincaid with the Silicon Valley theatre company, TheatreWorks.
Actors want to be wanted, whether it’s for a role in a play or musical, film, or TV show. But sometimes we want to get that role so badly that we forget to use some common sense and may get ourselves into an iffy situation. Here are five things to watch out for so the only thing you have to worry about is if you get the gig!
Whether it’s as simple as lighting an actor’s face for visibility, or a special effect for musicals like Sweeney Todd, a lighting designer’s job is all about problem solving. As a full-time freelance designer, Kevin spends at least one, but usually two or three weeks a month in tech rehearsals in theaters throughout California. “It is a hard but absolutely wonderful life. If you’re like I was in high school and have any inkling to do theatre, do it.” Read our latest interview on StageAgent.
It’s hardly worth mentioning that all paths of life carry tough choices. Some of us are lucky, and we get to choose, well, among “first world” problems. Hopefully most of us are fortunate. Take a quick look with StageAgent at some of the challenges you are likely to face with a life in the theatre.