Despairing about the investment you’re making in makeup before your big show?
The days of buying a pricey, yet basic, Ben Nye makeup kit to get you through a year of auditions and performances are over. With the rise in popularity of airbrush makeup, serious contouring, and mascara that mimics fake lashes, mainstream makeup has become pretty darn theatrical. This change in trend benefits no one as much as the budget-conscious actor.
I did a crazy thing last week. I released my debut album, The Heart is the Hunter. I am an actor, mostly stage. Much classical. And I, an actor, have now birthed into the world a — what I like to call — indie folk pop record…we each have many voices. We may go through training of some kind to hone one or more of them, but ultimately what makes us good artists is our multitude of interests, desires, voices we have to share.
Shopping for normal-people school supplies is easy. You walk into Staples and buy one of everything and then never use it. But how should you approach back-to-school shopping as a theatre person? Allow me to translate your school supply list into theatrical terms, using every student’s favorite tool: Venn Diagrams.
I have found, both in my life as a creative and in my career in casting that there are two kinds of people: those who love auditioning and those that would rather eat glass, but know they must audition in order to work. Either way, auditioning is a necessary evil, if you want to be a professional actor. There is just no way around it. If you are a person who loves auditioning, consider yourself blessed.
1. Buy an extra larynx, just in case. If on a budget, make one using premium deli meat. 2. Periodically reconnect with the source material. Especially if the show is about dessert. 3. Switch costumes with someone weekly, as a sign of affection. You might be tempted to warn them but I say don’t.