So, you know you want to put on a play. Perhaps there’s a show you’ve been burning to produce. As we set about producing a play in today’s day and age, I think we must ask ourselves, “Why this play? Why now? Why this medium?” Sometimes, the play itself seems to answer these questions immediately. Sometimes, it’s more of a challenge. Producers selecting plays may also use this criteria to drive their lists of dream shows – and yet sometimes logistical factors, a desire to put together a season of plays in dialogue with one another, or the desire to find the perfect play for an ensemble of artists you love set producers on a more directed, play-specific hunt. And of course, budget is always a limiting factor. Read more to learn how to choose an amazing season for your theater group while adhering to budget constraints.
It’s almost time for the 2018 Tony Awards! There are so many wonderful performances from the Tony Awards telecasts over the past 50+ years, but the year that blogger and StageAgent editor, Laura Ware, remembers best is 1987. Read her latest blog to see why that year stood out for her. What are your favorites from the past? And what will be the standout this year?
Professional stage actor, Rob Richardson, literally saw himself in a role in the musical “The Bridges of Madison County”. In this post, Rob discusses his 5 year journey preparing for the show, auditioning and eventually landing the leading role of Robert Kincaid with the Silicon Valley theatre company, TheatreWorks.
With the 2018 Olivier Awards due to take place on Sunday 8 April at the majestic Royal Albert Hall in London, let’s take a whistle stop tour of the hit shows to have played the theaters of the West End this year. Established in 1976, the Olivier Awards celebrate the best of London theater and this year is no exception!
Whether it’s as simple as lighting an actor’s face for visibility, or a special effect for musicals like Sweeney Todd, a lighting designer’s job is all about problem solving. As a full-time freelance designer, Kevin spends at least one, but usually two or three weeks a month in tech rehearsals in theaters throughout California. “It is a hard but absolutely wonderful life. If you’re like I was in high school and have any inkling to do theatre, do it.” Read our latest interview on StageAgent.