There is a lot of advice out there on auditioning. But there are a few things that a ton of performers do which impede their auditioning. Blogger Annie Edgerton shares five mistakes actors often make and how to flip them into something positive.
StageAgent looks at the most popular shows–both plays and musicals, blogs, and even characters in their 2016 Top Ten Lists. From classics like West Side Story and Guys and Dolls to current Broadway darling, Hamilton, the lists should have something for everyone. See which lists include your favorites!
When it comes to casting, much is uncertain. One thing, however, is guaranteed: if you want to land your dream role, you need to come to an audition prepared. Your monologue and song should be in a similar style and genre for the show you’re auditioning for – but not from the actual show(s). But to go even further, you should tailor your material to the role(s) you’re right for in the show/season. Luckily, you can now use StageAgent to find specific audition monologue and song recommendations based off of a character’s attributes.
I have found, both in my life as a creative and in my career in casting that there are two kinds of people: those who love auditioning and those that would rather eat glass, but know they must audition in order to work. Either way, auditioning is a necessary evil, if you want to be a professional actor. There is just no way around it. If you are a person who loves auditioning, consider yourself blessed.
Whether you’re just starting out in the biz or a longtime pro, the search for the perfect monologue never ends. Monologues are frequently used in auditions, coaching sessions, and classes, so it’s important to know how to look and where to begin your search.
First of all, you’re starting in the right place—StageAgent has a huge directory of monologues, all linked to play or musical study guides. There, you can read the monologues themselves, but also information about the context in which they are spoken, and links to a character analysis and a guide to the play as a whole.