View Post

The Hearts of Monsters: Why We Need to Play Villains

“You are terrifying!” came the enthusiastic greeting as I stepped into the post show lobby. . I had grown used to it by then, and knew from the grins on the faces of this pleasant older couple that it meant they’d enjoyed the show. I smiled back sheepishly and offered a genuine, though bashful thank you, trying to distance myself somewhat from the character I had just played. Each night, I even made a point of dressing up more than usual when I went to the theatre. This was my first production in a new city, after all, and I wanted to be sure that everyone knew I wasn’t really a sociopath.
View Post

Community: A Theatrical Necessity

Community engagement must be a part of every theatre-making process. There is no theatre without an audience. The audience is as much a part of a play-making experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing, that working with the community teaches me just as much or more about the play on which I’m working than anything I do in the rehearsal room or on stage.

Join StageAgent and Ace Your Auditions

Enjoy the ultimate theatre research and networking platform. StageAgent helps performing artists save time, improve their craft and discover opportunities.

Create Your Profile

Display your headshots, credits and skills to showcase your talent.

Read Expert Guides

Prepare for your next role by studying our expert show guides.

Find Audition Materials

Explore hundreds of monologues, scenes and audition songs.

Discover Audition Notices

Find performing and backstage opportunities in your city.