It’s that time again for the Broadway Super Bowl — otherwise know as the Tony Awards! I think I can safely predict two names we will hear A LOT tonight (at least in the musicals categories) — Evan and Dolly. Who are your favorites?
Every spring, the Berkeley Rep School of Theatre invites local teens to participate in a new works festival written, directed, designed, and performed by their peers. Unlike most opportunities for teens, recent college grads guide them through the production process, but the teens carry the bulk of the work. The process is exhilarating, exhausting, and inspiring to watch both onstage and off.
Throughout history, art has reflected the time in which it was created, whether it serves as a mirror for the present, a reminder of days long gone, or a glimpse into the future. Those who appreciate art often look to it for guidance, or inspiration. Hamilton gives a gritty edge to what has often been a whitewashed history lesson. Camelot presents a magical, idealistic take on the rules of governance. If ever there was a time to have both shows running on Broadway, I think now is that time.
When last we met, I was extolling the virtues of summer stock theatre, that magical place where you build your skills as a performer, meet fascinating (and not-so fascinating) people, and try very hard not to embarrass yourself at the closing night party. But what if you’re not doing stock, what if you’re in the City (or elsewhere) for the summer, not necessarily performing? What should you do with yourself all summer?
What a feeling! You get that call on your cell phone, and you’ve got a job for the summer doing theatre. Someone is ACTUALLY PAYING you to do theatre! What a rush! What a high! What the hell do you do now? What is summer stock, really?