Every actor’s (or stage manager’s) journey is unique and joining the Actors’ Equity Association (AEA) is a personal decision that only you can make. I suppose it’s appropriate that I weigh in on this topic as it’s a decision I am in the middle of making myself. My life and career have presented an opportunity which begs the question, are you ready? Your path will be different, or perhaps similar! In either case, here I am, an actor teetering on the edge of Equity. What about you?
It’s that time again for the Broadway Super Bowl — otherwise know as the Tony Awards! I think I can safely predict two names we will hear A LOT tonight (at least in the musicals categories) — Evan and Dolly. Who are your favorites?
Hamilton and Hello, Dolly!–complete opposites of the musical theatre spectrum, one would think. StageAgent editor and blogger, Laura Ware, shares her thoughts on the correlations in such different shows and their relevance in our current political climate, and how much we need both of them today in the growth and influence of musical theatre itself.
What happens when an actor grabs that brass ring at last, the long-running contract? It could be a tour, or a Broadway show, even some regional theatres that operate continuous schedules, producing the same show(s) for years on end? You’ve finally been rewarded for all your efforts, and that reward is…to do the same thing 6 nights a week for the next 6 months, even a year, maybe even longer? How can you manage it?
As a standby in the off-Broadway musical The Fantasticks, I’m often in a Starbucks during most performances, so when it was time to go on for a short time, my initial response was, “Damn, there goes all my free time.” As a parent of two small children, time is at a premium. But you may think I’ve completely missed the boat, that I should be elated at having a performing opportunity—and you’d be right, it just took me a couple of days to get here.