Drama teachers rarely have enough time in the classroom to adequately focus on improving literacy in the Dramatic Arts. When so many theatre classes are group exercises that are project-driven, teachers struggle to ensure that kids learn about plays and playwrights. Further, how can theatre teachers truly measure a student’s learning progress? Luckily, computers in the classroom and constant online access have bred kids who are quick to use the internet. New programs like StageAgent for Schools have been launched to help fill these teaching gaps in the typical drama classroom. StageAgent for Schools has now been adopted by the drama programs at 24 Dallas ISD high schools. In this post, Lisa Cotie, a theatre teacher at the award-winning Booker T. Washington High School for Performing and Visual Arts in Dallas, Texas, discusses the genesis of the StageAgent for Schools program and why drama teachers need to bring StageAgent for Schools into their classrooms.
It can be tricky navigating your way through plays with good roles that offer an exciting challenge for the modern teenager. After all, there are thousands of plays out there–where do you start? Are you looking for a powerful monologue, a dramatic scene, or a full play that features a lead teenage role?
There is a lot of advice out there on auditioning. But there are a few things that a ton of performers do which impede their auditioning. Blogger Annie Edgerton shares five mistakes actors often make and how to flip them into something positive.
I have found, both in my life as a creative and in my career in casting that there are two kinds of people: those who love auditioning and those that would rather eat glass, but know they must audition in order to work. Either way, auditioning is a necessary evil, if you want to be a professional actor. There is just no way around it. If you are a person who loves auditioning, consider yourself blessed.
Whether you’re just starting out in the biz or a longtime pro, the search for the perfect monologue never ends. Monologues are frequently used in auditions, coaching sessions, and classes, so it’s important to know how to look and where to begin your search.
First of all, you’re starting in the right place—StageAgent has a huge directory of monologues, all linked to play or musical study guides. There, you can read the monologues themselves, but also information about the context in which they are spoken, and links to a character analysis and a guide to the play as a whole.