Category Archives: Plays

What’s Going Down in London Theatre?

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After last month’s 2017 Tony Awards in New York, we thought it would be interesting to see what is hot over in the London theatre scene a few months after the super exciting Olivier Award winners were revealed at London’s Royal Albert Hall. Here’s is a selection of some of the hottest tickets in town, many coming from or to Broadway.

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Teens Rule the Berkeley Rep Teen One-Acts Festival

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Every spring, the Berkeley Rep School of Theatre invites local teens to participate in a new works festival written, directed, designed, and performed by their peers. Unlike most opportunities for teens, recent college grads guide them through the production process, but the teens carry the bulk of the work. The process is exhilarating, exhausting, and inspiring to watch both onstage and off.

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Countdown to the Tonys: It’s Gettin’ Ready Time!

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So, there’s this little show happening on Sunday night. Most of America could care less, but for those of us who LOVE Broadway – it’s our Super Bowl! It’s almost Tony time!!! As a kid growing up in California, I looked forward to this every year. (I know you’re nodding your head right now if you grew up anywhere other than New York thinking, “Me, too!”) It was my only chance to see the people who were on the records (yes, RECORDS) of the Original Broadway Cast recordings that I listened to and memorized religiously.

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For the Love of Blood: Your Ultimate Guide to Stage Blood

With the Ides of March upon us — the day upon which Julius Caesar was murdered — it’s the perfect time of year to talk stage blood. The key to perfect stage blood is choosing the right variety for you particular blood scenario. Whether it’s buckets of blood in Martin McDonagh’s Lieutenant of Inishmore, or Lady Macbeth’s bloody hands in William Shakespeare’s Macbeth, stage blood is an exhilarating, thrilling, sticky mess. Here are some tips for making the most out of even the stickiest stage blood situations.

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The Hearts of Monsters: Why We Need to Play Villains

Scott Ward Abernethy in The Magic Tree at Keegan Theatre in Washington DC.  Photo by C. Stanley Photography.

“You are terrifying!” came the enthusiastic greeting as I stepped into the post show lobby. . I had grown used to it by then, and knew from the grins on the faces of this pleasant older couple that it meant they’d enjoyed the show. I smiled back sheepishly and offered a genuine, though bashful thank you, trying to distance myself somewhat from the character I had just played. Each night, I even made a point of dressing up more than usual when I went to the theatre. This was my first production in a new city, after all, and I wanted to be sure that everyone knew I wasn’t really a sociopath.

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News, thoughts, opinions and advice for the performing arts community.