Whether you’re auditioning for a regional production of South Pacific or the pre-Broadway workshop of the next Hamilton (Hamilton II: Peggy’s Revenge), you need to prepare your music and be able to confidently speak to an accompanist. Remember that the accompanist is your friend. The accompanist wants you to be a fantastic singer that is a joy to collaborate with. But you will need to master a few things before embarking on the all-too-brief audition journey with your new musical collaborator.
So, the 70th Annual Tony Awards are in the books, and it was a great night! I spent the evening with about a dozen friends, and we had a viewing party. It was awesome! It was like we were in the Beacon Theatre, well, except that we had snacks and weren’t quite as dressed up as the Tony-goers were. And our ballots weren’t quite official.
So, there’s this little show happening on Sunday night. Most of America could care less, but for those of us who LOVE Broadway – it’s our Super Bowl! It’s almost Tony time!!! As a kid growing up in California, I looked forward to this every year. (I know you’re nodding your head right now if you grew up anywhere other than New York thinking, “Me, too!”) It was my only chance to see the people who were on the records (yes, RECORDS) of the Original Broadway Cast recordings that I listened to and memorized religiously.
Standing on the stage of the Richard Rodgers Theatre, after a quiet Sunday matinee of Hamilton, I looked out into the gilded, empty house, and thought, “What would Hamilton think of ALL THIS?”
My first night in town I waited at the stage door to ride the train home with a friend in the cast. I thought to myself, “Why is there a fifty year old man standing in a planter box waiting for a glimpse of these people he doesn’t even know? Why are people screaming SO loudly? WHY CAN’T I JUST WALK ON THE SIDEWALK!?” I’d never seen a stage door so reminiscent of a Hollywood red carpet. And they’re all here to watch a play.