Touring can be a magical and wonderful experience, whether you’re a replacement in the road company of Wicked, or launching a new tour like Bright Star. Be excited about it! Read here how you can make the most out of your road journey.
What happens when an actor grabs that brass ring at last, the long-running contract? It could be a tour, or a Broadway show, even some regional theatres that operate continuous schedules, producing the same show(s) for years on end? You’ve finally been rewarded for all your efforts, and that reward is…to do the same thing 6 nights a week for the next 6 months, even a year, maybe even longer? How can you manage it?
StageAgent interviews casting director Alison Franck for another perspective on casting a national tour. Alison has been casting everything from Broadway, Off-Broadway, Regional Theatre, National Tours, Television, and Film for more than 20 years. She offers some personal insights on touring and gives actors some valuable tips on the use of modern technology in auditioning.
Children’s Theatre gets a bad rap. Some think it’s a fluff genre, with no substance. It’s as if a play for children doesn’t merit the same artistic credibility as a play for adults. Glitter, polka dots, and silly songs, can’t compare to Brecht, Stoppard, and Mamet. But these misconceptions couldn’t be further from the truth. Theatre for Young Audiences (TYA) is making waves, breaking molds, and giving artists endless creative opportunities fostering the future of theatre.
StageAgent interviews casting director, Bob Kale, on his perspective with casting national tours. Bob has been casting theatre, television and film for more than 20 years. He answers such questions as “What, if anything, is different about casting a national tour versus casting a regional production of the same show?” and “What’s the biggest challenge in casting a tour, or really, casting anything?” You’ll be surprised at the answer.