Every actor’s (or stage manager’s) journey is unique and joining the Actors’ Equity Association (AEA) is a personal decision that only you can make. I suppose it’s appropriate that I weigh in on this topic as it’s a decision I am in the middle of making myself. My life and career have presented an opportunity which begs the question, are you ready? Your path will be different, or perhaps similar! In either case, here I am, an actor teetering on the edge of Equity. What about you?
It’s that time again for the Broadway Super Bowl — otherwise know as the Tony Awards! I think I can safely predict two names we will hear A LOT tonight (at least in the musicals categories) — Evan and Dolly. Who are your favorites?
Hamilton and Hello, Dolly!–complete opposites of the musical theatre spectrum, one would think. StageAgent editor and blogger, Laura Ware, shares her thoughts on the correlations in such different shows and their relevance in our current political climate, and how much we need both of them today in the growth and influence of musical theatre itself.
Throughout history, art has reflected the time in which it was created, whether it serves as a mirror for the present, a reminder of days long gone, or a glimpse into the future. Those who appreciate art often look to it for guidance, or inspiration. Hamilton gives a gritty edge to what has often been a whitewashed history lesson. Camelot presents a magical, idealistic take on the rules of governance. If ever there was a time to have both shows running on Broadway, I think now is that time.
So, the 70th Annual Tony Awards are in the books, and it was a great night! I spent the evening with about a dozen friends, and we had a viewing party. It was awesome! It was like we were in the Beacon Theatre, well, except that we had snacks and weren’t quite as dressed up as the Tony-goers were. And our ballots weren’t quite official.