The work on a cruise ship is often fun, sometimes a grind, but if you’re lucky it’s a very well-paid vacation. If you want to save some money for your move to a bigger market, it may be ideal for you. But if you are someone who struggles with too much structure or a perceived lack of freedom, it may not be in your future. Read the second in our two-part series to see if cruise ship entertainment is something for you!
Do you have what it takes to be a cruise ship entertainer? Read more about what the work is like, and how you live on the ocean for months at a time. Of course, every company is different, but many shows are performed in a theatre that looks like a Broadway house. It’s beautiful, extremely well-maintained, and holds about 1300 people. You’d think it would be located right in the heart of the theatre district, but no, it’s somewhere else…IN THE MIDDLE OF THE OCEAN.
Throughout history, art has reflected the time in which it was created, whether it serves as a mirror for the present, a reminder of days long gone, or a glimpse into the future. Those who appreciate art often look to it for guidance, or inspiration. Hamilton gives a gritty edge to what has often been a whitewashed history lesson. Camelot presents a magical, idealistic take on the rules of governance. If ever there was a time to have both shows running on Broadway, I think now is that time.
The Edinburgh Festival Fringe is the world’s largest arts festival, with over 50,000 performances of 3,279 shows in nearly 300 venues across the city in 2016. It is held in August every year, and it is really never too early to start planning for the Fringe! There are so many things to consider: What type of venue is best for your show? City center or out of the main action? How do you promote it? How do you compete with the thousands of other shows appearing at the Fringe? Honestly, the top tip really is to ENJOY the Edinburgh Festival Fringe! The diversity, quality, and eccentricity on display is amazing. There really is nothing like it!
Children’s Theatre gets a bad rap. Some think it’s a fluff genre, with no substance. It’s as if a play for children doesn’t merit the same artistic credibility as a play for adults. Glitter, polka dots, and silly songs, can’t compare to Brecht, Stoppard, and Mamet. But these misconceptions couldn’t be further from the truth. Theatre for Young Audiences (TYA) is making waves, breaking molds, and giving artists endless creative opportunities fostering the future of theatre.