There is a lot of advice out there on auditioning. But there are a few things that a ton of performers do which impede their auditioning. Blogger Annie Edgerton shares five mistakes actors often make and how to flip them into something positive.
When actors are given a contract for most theatre jobs, they usually have finite terms, an “end date.” I would imagine that most contracts are honored by the actor, as work is hard enough to come by. But occasionally, we are lucky enough to have another company offer an opportunity before we have completed the terms of the current employer. Assuming we want to accept the offer, what do we do?
Every spring, the Berkeley Rep School of Theatre invites local teens to participate in a new works festival written, directed, designed, and performed by their peers. Unlike most opportunities for teens, recent college grads guide them through the production process, but the teens carry the bulk of the work. The process is exhilarating, exhausting, and inspiring to watch both onstage and off.
What happens when an actor grabs that brass ring at last, the long-running contract? It could be a tour, or a Broadway show, even some regional theatres that operate continuous schedules, producing the same show(s) for years on end? You’ve finally been rewarded for all your efforts, and that reward is…to do the same thing 6 nights a week for the next 6 months, even a year, maybe even longer? How can you manage it?
So you’re going to audition for a musical. You’ve got an appointment (or the strength and spirit to wait in line), and you are going to do your best to make your musical theatre dreams come true. You have your headshot and resume all ready to go and now all you need to do is to choose a song. Read the StageAgent blog to answer a couple of questions that will help along the way.