All posts by Rob Richardson

Rob Richardson is an actor, trainer, blogger, husband, and father. Your basic superhero. Currently he is sailing the Caribbean as the Broadway Guest Artist on the Disney Fantasy, appearing in Aladdin: A Musical Spectacular and Disney's Believe. Broadway/Off-Broadway: Jekyll & Hyde, A Tale of Two Cities, Clinton the Musical, and The Fantasticks. Follow Rob on Twitter @traininghumanT, and read his other musings on health and wellness at www.traininghumanity.blogspot.com.

STAYING HEALTHY AND FIT, NO MATTER WHERE YOU ARE

Performers of any kind rely on their bodies. Whether they are dancing, singing, or acting the most dramatic roles, a performer needs access to their abilities and their emotional life. As performing artists, we’ve chosen a difficult path, one often laden with long hours, little rest, constant practice and training, for what at times can be little reward. To survive in this environment, and hopefully thrive, you must have your health, and be able to maintain your health when you’re away from home.

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Cruise Ship Entertainment Pt 2: A Few More Tips

The work on a cruise ship is often fun, sometimes a grind, but if you’re lucky it’s a very well-paid vacation. If you want to save some money for your move to a bigger market, it may be ideal for you. But if you are someone who struggles with too much structure or a perceived lack of freedom, it may not be in your future. Read the second in our two-part series to see if cruise ship entertainment is something for you!

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Cruise Ship Entertainment Pt 1: A Practical Guide

Do you have what it takes to be a cruise ship entertainer? Read more about what the work is like, and how you live on the ocean for months at a time. Of course, every company is different, but many shows are performed in a theatre that looks like a Broadway house. It’s beautiful, extremely well-maintained, and holds about 1300 people. You’d think it would be located right in the heart of the theatre district, but no, it’s somewhere else…IN THE MIDDLE OF THE OCEAN.

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Hard to Say Goodbye: Leaving a Show on Good Terms

When actors are given a contract for most theatre jobs, they usually have finite terms, an “end date.” I would imagine that most contracts are honored by the actor, as work is hard enough to come by. But occasionally, we are lucky enough to have another company offer an opportunity before we have completed the terms of the current employer. Assuming we want to accept the offer, what do we do?

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News, thoughts, opinions and advice for the performing arts community.